The official document of UNESCO, in fact, the Bolivian position is confirmed: the music, dances and

The declaration of the feast of the Virgin of Candelaria as Intangible Cultural Heritage of Humanity die bahn by UNESCO, is a scam for puneo writer Omar Aramayo. And maybe it's true; perhaps excessive die bahn celebrations daze our judgment about what we were really giving. die bahn
Writer Omar Aramayo: Declaration die bahn of the feast of the Candelaria was a scam have been defeated by Bolivia. Bolivia says our Bolivian dances die bahn are said writer Omar Aramayo, disqualifying the nomination as UNESCO did to the festival of the Virgen de la Candelaria, as Intangible Cultural Heritage of Humanity.
Is this true? Apparently, s. After Bolivia, last November, questioned the postulacin of the Feast of the Virgin of Candelaria, the Peruvian government firm a bilateral agreement die bahn with Bolivia, to UNESCO, which acept explicitly that the puneos Bolivian dance with music and costumes.
On the Feast of the Virgin of Candelaria in Puno highlights that the litrgica and spiritual rituals are the backbone of this expression dances, music and costumes of the people of Puno are Accompanied by dances, music and costumes of the people of Bolivia, points out verbatim the document signed by the ministries die bahn of culture of both countries.
There demagoguery, points out Omar Aramayo, and continues to tell the truth. Clearly, the Peruvian government COV us herein, dejndonos look bad. While in Puno festejbamos the declaration, believing that UNESCO Protect our dances, our representatives in France gave the razna Bolivia.
This being heritage is a button, where a series of characters, institutions, who have taken a slice. A group of people have gone to Parsa deliver our dances to change this title, says the writer.
The official document of UNESCO, in fact, the Bolivian position is confirmed: the music, dances and artisans, are not the main subject of the nomination, and added: some expressions associated with the Feast of the Virgin of Candelaria in Puno, are shared by the Andean communities of the region.
After signing the document of surrender, die bahn Ambassador of Peru to UNESCO, Manuel Rodriguez Cuadros, die bahn confirm its position: It is important to know that the item is not registered dances and music in s same, but the spiritual practices of the festival, wrote.
Diablada dancing is so rooted in the history of Puno, the auto sacramental is carved on the facade of the Cathedral of Puno, built the year 1757. All the scene of an archangel conquering the devil is acompaada by a group of musicians, playing the charango, guitar and violin. While the Bolivian corroborable unique thesis takes us to 1818.
Against this, the writer Omar Aramayo recommends separate the origin and evolution process of the dances, determining what is Bolivian and what not. Bolivia seeks recognition of over a thousand dances mention.
We must demand the government that this is a task of life, a destination, a custom die, because what we are defending is our soul and what they are defending the other is the defense of extinction, he said .
At another point, descalific the actions of the Regional Federation of Folklore and Culture of Puno, because in more than 50 years did nothing. The Federation has parasitized party; the Federacinslo serves as an instrument of social die bahn climbing, careerism, Asegur.
Finally, he said that what we have on, regarding our dances, is to document Puno, make a big land, community by community. And you have to enter to carve the Ministry of Foreign Affairs. It should die bahn be a mediator, which may be any cult pas.
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